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Construction: Flamenco Guitar
Top Wood: Cedar
Back and Sides Wood: Cypress
DESCRIPTION
Biography
DESCRIPTION
Biography
Second guitar by Manuel Reyes that we have the privilege to offer to our MaderaGuitarras customers.
A guitar like the previous one belongs to what is considered the best period of Manuel Reyes 80‘s and 90’s. Although in our experience you can find great guitars of him in almost all his periods of construction.
He is one of the great masters of Spain who follows that golden line of the best guitar makers and most beautiful sound that has ever been produced in a traditional guitar such as Santos Hernandez, Marcelo Barbero and Manuel Reyes.
This guitar has a very outstanding peculiarity that makes it very collectible as well as its top is made of cedar. Less than 10 of the master’s guitars are known to have been built with a cedar top and this is one of them.
Curiously, the cypress/cedar combination is one of the favourites of some great guitarists in history, such as Pepe Romero, who this year 2024 we saw playing his concerts with orchestra with a cedar and cypress guitar.
And it is a very particular sound because while maintaining the bright sound and extreme clarity of the cypress, the cedar top provides a warmer sound than the spruce. It is a combination with a very beautiful sound result and maintaining that clarity, that range of colours and that beauty that have characterised the guitars of Manuel Reyes and that make them so sought after by guitarists and collectors from all over the world, both in flamenco and classical styles.
The condition of this guitar is also very good with only a crack in one of the sides having been very well repaired, not affecting at all the sound (please see photo in gallery). It maintains its curves, angles and structure. And the playability as usual with Manuel Reyes is really comfortable and pleasant. The right hand has that elasticity when playing the strings, that rebound effect, that is such an special feature on this guitar and that produces that so unique feel we found in great traditional guitar makers.
Scale Length: 654mm
Nut Width: 53mm
12th Fret Width: 62mm
Guitar Length: 995mm
Body Length: 485mm
1st Fret. 6th string to 1st string: 46mm
12th Fret. 6th string to 1st string: 51mm
Bridge. 6th string to 1st string: 56mm
Side Width Upper body: 92.5mm
Side Width Lower body: 95mm
12th fret to 6th String Height: 2.8mm
12th Fret to 1st String Height: 2.2mm
Weight: 1400g
Tuning Machine: Fustero
Bracing pattern
Manuel Reyes Maldonado was born in 1934 in a very small village called Jayena in the south of Spain in the province of Granada. He died in 2014 in the Spanish city of Córdoba.
When Manuel was 10 years old his parents Manuel and Evangelina decided to move to the city of Cordoba looking for work for the family. Soon Manuel Reyes’ father and his brother found work in a sawmill in Cordoba called “La Forestal”. While little Manuel also helped the family economically by running errands for merchants.
It was at that very early age that Manuel already began to be interested in and amazed by musical instruments. Once in the house of a neighbor called Carmen, he saw a guitar that was abandoned and broken and asked her to give it to him to try to fix it. Manuel gave it back to her after a while without much success in fixing it, but it gave him a chance to have a first idea of how it was built and to lay his hands on the instrument for the first time.
Since his brother and his father worked in the sawmill at home there were some woodworking tools and also some pieces of wood and Manuel decided to try to make his first guitar without any success, then the second one without success again. But little by little and with a lot of determination, he managed to make better and better guitars. By his teenage years, Manuel’s talent was becoming known to family and friends, and although he made the guitars for pleasure, they began to commission him to make them. Word of mouth kept on working until he started to sell them later on.
Manuel has always said that his way of learning was self-taught. Although there in Cordoba he had the opportunity to meet several times another of the great builders of history, Miguel Rodriguez Beneyto.
Manuel was also impressed by the quality of a guitar made by Marcelo Barbero that he heard and saw in 1954 in Cordoba. He was able to meet Marcelo Barbero on a trip to Madrid and Marcelo, seeing his talent, even offered him a job in his workshop. However, Manuel decided to return to Cordoba where he preferred to live, work and develop his very successful career as a guitarrero.
Manuel Reyes became over the years one of the most important and admired Spanish guitar makers in history.
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